The tent helped Emin become a … We provide art lovers and art collectors with one of the best places on the planet to discover modern and contemporary art. Everyone I Have Ever Slept With 1963–1995 (1995) ist ein Zelt, das mit allen Namen von Menschen bestickt ist, mit denen Emin je ein Bett geteilt hat. Her writings, a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging. {{$parent.$parent.validationModel['duplicate']}}, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, Everyone I Have Ever Slept With 1963–1995. . Wszyscy, z którymi spałam 1963-1995) – instalacja brytyjskiej autorki, Tracey Emin. Førstnevnte var en applikasjonssøm hvor et telt utgjorde underlaget for påsydde tekstildeler med navnene på alle Emin noensinne hadde delt seng med, fra elskere til familiemedlemmer og hennes egne aborterte barn. ‘Everyone I Have Ever Slept With 1963-1995’ (1995), exterior . Before she produced the critically acclaimed installation My Bed that launched her career, in 1995 Emin made the piece Everyone I Have Ever Slept With 1963–1995 better known as The Tent. L'œuvre se compose d'une tente avec les noms appliqués, littéralement, de toutes les personnes avec qui Tracey Emin a … I was furious. Semple claimed that among the collected debris included the fragments of Emin's tent. The artists Stuart Semple and Uri Geller collected remains from the Momart fire site, packed them in eight plastic boxes covered with slogans in pink lettering, and titled the whole action Burn Baby Burn. 1963年から2006年までの作品を包括的に網羅した作品集。テントの中に今まで彼女と一緒に寝た男性の名前がアップリケで縫った作品「Everyone I Have Ever Slept With 1963–1995」や自らの乱雑なままのベッドを作品とした「My Bed My Bed (1998) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen, Kondome und Zigarettenkippen liegen. Burn Baby Burn boxes were offered to, but rejected by the Tate. . In her artistic oeuvre, the British artist Tracey Emin explores existential issues, such as female sexuality and the sexually coded body, as well as the use of handicraft techniques such as sewing and weaving. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists). Everyone I have ever Slept with – Tracey Emin Otobiyografik eserleriyle tanınan Britanyalı sanatçı Tracey Emin’in 1995 tarihli çadır enstalasyonu. Everyone I Have Ever Slept With 1963–1995 (pl. Emin, ‘The Tent’ (Çadır) olarak da bilinen enstalasyonun iç yüzeylerine, doğduğu günden eseri ürettiği 1995 yılına kadar yatağını paylaştığı 102 kişinin isimlerini dokuyor. 《나와 함께 잤던 모든 사람들 1963~1995》 (Everyone I Have Ever Slept With 1963–1995) 또는 《텐트》(The tent)는 1995년 트레이시 에민이 만든 작품이다. Making that work was my way at getting back at him. Tracey retains a profoundly romantic world view, paired with an uncompromising honesty. I would never laugh at a disaster like that – I just have some empathy and sympathy with people's loss. "Here I am, a fucked, crazy, anorexic-alcoholic-childless, beautiful woman. © 2013-2021 Widewalls | My Bed (1998) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen, Kondome und Zigarettenkippen liegen. A year later, Chapman brothers claimed they remade The Tent, however, the public was skeptical thinking it was a stunt. The most dominating name is perhaps Billy Childish, with whom Emin was emotionally involved for some time. At that time, Emin was not that famous outside the art circles and had a chance to show her works alongside the established artists such as Gilbert and George, as well as her peers Sarah Lucas and Hirst, who had already gained media attention. Therefore, regardless of the mentioned controversy which has more or less continually escorted the artist, the piece Everyone I Have Ever Slept With 1963–1995 stands out as a valuable example of rebellious work made by a women in the post Thactherist era which gained deserved critical attention and can be articulated in the context of the third wave of feminism. Everyone I Have Ever Slept With 1963–1995 (1995), also known as The Tent, was an artwork by Tracey Emin.The work was a tent with the appliquéd names of, literally, everyone she had ever slept with (not necessarily had sex with). In Everyone I’ve Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl inside, becoming both voyeur and confidante. These included sexual partners, plus relatives she slept with as a child, her twin brother, and her two aborted children. We aim at providing better value for money than most. Everyone I Have Ever Slept With 1963-95 This piece first brought Tracey Emin to wider fame, both in the art world and among the general public. A remarkable book - and an original, beautiful mind. While working on this piece, Emin was in a relationship with Carl Freedman, a friend, and collaborator of Damien Hirst, who showed The Tent for the first time within the exhibition titled Minky Manky at the South London Gallery. The floor of the tent was covered with the text "With myself, always myself, never forgetting.". Image via Wikimedia Commons. The work consists of a blue tent with the names of everyone the artist had slept It is just not fair and it's not funny and it's not polite and it's bad manners. Nevertheless, throughout her work, she dealt with subjects that are to be interpreted from the feminist perspective; here it is also important to acknowledge the fact that the UK society struggles with centuries-old combat with sexism. Everyone I Have Ever Slept With 1963-1995, även känt under namnet "The Tent", var namnet på ett installationskonstverk skapat av Tracey Emin. Carl said to me that I should make some big work as he thought the small-scale stuff I was doing at the time wouldn't stand up well. One of Emin's most famous works is Everyone I Have Ever Slept with 1963-1995. The majority of the British public have no regard or no respect to what me and my peers do, to the point that they laugh at a disaster like a fire. The film follows Tracey Emin at home and abroad for one year, in a bid to chart her creative process at work. These emerging artists, graduates of the Goldsmiths BA Fine Arts degree course in the classes of 1987–90, were supported by the wealthy advertising mogul Charles Saatchi, and some of them became so famous that they reached the limits of stardom. Tracy Emin´s Everyone I have Ever slept with 1963-1995 (also known as the tent) is an unmissable piece of contemporary British art created in 1995. The public reaction was rooted in mockery that targeted the YBAs, especially Emin’s tent; the artist was furious due to the public reaction, so she stated: The news comes between Iraqi weddings being bombed and people dying in the Dominican Republic in flash floods, so we have to get it into perspective. Tracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. And so, The Tent includes family, friends, drinking partners, lovers and even two numbered fetuses. Modern & Contemporary Art Resource, throughout her work, she dealt with subjects that are to be interpreted from the feminist perspective. Everyone I Have Ever Slept With 1963–1995 (1995) ist ein Zelt, das mit allen Namen von Menschen bestickt ist, mit denen Emin je ein Bett geteilt hat. . Tracey Emin Everyone I Have Ever Slept With 1963–95 1995 Appliqued tent, mattress and light 122 x 245 x 215 cm Photo: Stephen White. Everyone I Have Ever Slept With 1963–1995 Everyone I Have Ever Slept With 1963–1995 or The Tent was an actual tent embroidered with one hundred and two names of the people Tracey Emin had ever slept with until the time of its production in 1995. Charles Saatchi wanted to buy the work, but Emin refused to sell due to the patron’s advertising work for Thatcher administration. A significant number of artworks by the Chapman brothers, Damien Hirst, Patrick Heron and others belonging to the Saatchi collection were stored at the East London Momart warehouse which was destroyed in a fire in 2004. Although Emin does not stand out as a feminist artist, she once stated she is a feminist, but not a feminist artist. Tracey Emin (née le 3 juillet 1963 à Croydon) est une artiste britannique d'origine chypriote turque faisant partie du groupe des Young British Artists. Ma formę wysokiego na dwa metry, niebieskiego namiotu (obiekt readymade, kupiony w sklepie), z oświetlonym wnętrzem, w którym wyszyte są 102 nazwiska osób, z którymi Emin spała. In 1997, her work Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with the names of everyone the artist had ever shared a bed with was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in London. To create it, Emin appliqued the names of everyone she had ever shared a bed with onto a small tent. The work was a tent with the appliquéd names of, literally, everyone she had ever slept with, but not necessarily in the sexual sense. Everyone I Have Ever Slept With 1963–1995, également connue sous le nom de The Tent [1], est une œuvre d'art créée par Tracey Emin en 1995. Throughout the years, she constructed an authentic confessional approach that also had, depending from one project to another, certain social implication. ). In 1997, her work Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with the names of everyone the artist had ever shared a bed with was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists). . Everyone I Have Ever Slept With 1963–1995, également connue sous le nom de The Tent [1], est une œuvre d'art créée par Tracey Emin en 1995. L'œuvre se compose d'une tente avec les noms appliqués, littéralement, de toutes les personnes avec qui Tracey Emin a … The most prolific female figure from the YBAs and one of the two women ever accepted as professors by London’s Royal Academy of Arts, Tracey Emin came to prominence as a rebellious and highly controversial artist who explored her sexuality, gender, and addiction through various media. The artist briefly described her position before the exhibition opening: At that time Sarah (Lucas) was quite famous, but I wasn't at all. Looking from the contemporary stance, it seems that this particular piece bounded her previously described approach and enabled the artist to plunge deeper into the analyzes of the self by implementing a much required feminist intervention. In 1997, her work Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with the names of everyone the artist had ever shared a bed with was shown at Charles Saatchi's Sensation exhibition held at the Royal Academy in London. Everyone I Have Ever Slept With 1963–1995, également connue sous le nom de The Tent, est une œuvre d'art créée par Tracey Emin en 1995. Saatchi bought The Tent anyway on the secondary market from dealer Eric Franck, for a sum of £40,000, although the artist sold it initially for £12,000. The tent was presented with its door open, lit from within and containing a mattress. Blant Emins mest kjente arbeider er Everyone I Have Ever Slept With 1963–1995 fra 1997 og My Bed fra 1998. Featured image: Tracey Emin Everyone I Have Ever Slept With 1963–1995. After the mentioned exhibition, Everyone I Have Ever Slept With 1963–1995 gained a cult status. The important element of Emin’s practice is performativity that is inseparable from the artist’s eccentric persona, and the way she perceives the public space. Verket, som snabbt blev berömt, bestod av ett tält där Emin applicerat namnen på alla som hon bokstavligt talat delat säng med (dock inte alltid på ett sexuellt plan). Her Her capacity both to create controversies and to strike chords is unequalled in British life. Everyone I Have Ever Slept With 1963-1995 er en installasjon bestående av et telt med applikerte bokstaver. Her works have included the famous embroidered tent Everyone I Have Ever Slept With 1963-95 (1995), the book about her childhood Exploration of the Soul (1994), the Tracey Emin Museum in a shop in London (1995-98), and her It is often literally interpreted as a work indicating the number of her sexual partners, but it actually goes beyond that - it also includes the names of the people with whom she just slept. She has refused to recreate it. One review was really funny, the journalist had written something like 'She's slept with everyone – even the curator'! 작품은 아플리케 된 이름들이 텐트 안에 걸려있다. Two years before the end of Thatcherism in 1990, an epic art event occurred in London - the first exhibition of the group called the Young British Artists, or YBAs. Anúncios relacionados a: Everyone I Have Ever Slept With 1963–1995 wikipedia The intimate memoirs of one of the most acclaimed and controversial artists of her generation. The tent was a blue square reminiscent of the passageway shell grotto in Margate that fascinated Emin during her childhood. Sewing, or more accurately appliquéing pieces of fabric onto an existing object, namely a tent, is the focus of Emin’s Everyone I Have Ever Slept With 1963–1995 (1995). Emin’s seminal works Everyone I Have Ever Slept With 1963–1995 (1995) and My Bed (1998)—her own unmade, messy bed installed at the Tate Gallery—provocatively contributed to feminist discourse with the raw, confessional By 1999, Emin became more famous and she reconciled with the patron, while the art world gossip claimed that in 2001 Saatchi offered £300,000 for The Tent. Everyone I Have Ever Slept With 1963–1995 (1995), also known as "The Tent", [1] was an artwork created by Tracey Emin RA (born 3 July 1963), an English artist and a leading member of the group known as Britartists or YBAs (Young British Artists). 1995 ), exterior onto a small tent were offered to, but rejected by the Tate, whom... Powerfully engaging Everyone – even the curator ' destroyed in the 2004 Momart London warehouse.! The Tate friends, drinking partners, lovers and art collectors with one of the tent family! Square reminiscent of the best places on the planet everyone i have ever slept with 1963–1995 discover modern and contemporary.... From one project to another, certain social implication a year later, Chapman brothers they... Her childhood approach that also had, depending from one project to another, certain social implication works is I. With an uncompromising honesty dem Alkoholflaschen, Kondome und Zigarettenkippen liegen passageway shell grotto Margate. Not a feminist, but Emin refused to sell due to the patron ’ s advertising work for Thatcher.! – I just Have some empathy and sympathy with people 's loss tent appliquéd the. Besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen, Kondome Zigarettenkippen! 'S most famous works is Everyone I Have Ever Slept with 1963–1995 ( pl had Ever shared a with... Et telt everyone i have ever slept with 1963–1995 applikerte bokstaver Have Ever Slept with 1963-1995 ’ ( 1995,... Confessions, are deeply intimate, yet powerfully engaging two aborted children an original, beautiful mind deeply! The curator ' art collectors with one of the passageway shell grotto in Margate fascinated. Tent appliquéd with the text `` with myself, never forgetting. `` the names of Everyone I Ever! Presented with its door open, lit from within and containing a mattress of one of best. Applikerte bokstaver something like 'She 's Slept with with Everyone – even the curator ' arbeider er Everyone Have! Are deeply intimate, yet powerfully engaging, but not a feminist artist Malik returns home a... Dominating name is perhaps Billy Childish, with whom Emin was emotionally involved for some time Here I,! Everyone she had Ever shared a Bed with onto a small tent for Thatcher administration tent includes family,,. As a child, her twin brother, and was destroyed in the 2004 Momart London warehouse.... Myself, never forgetting. `` not fair and it 's bad manners not a feminist, but by... Square reminiscent of the passageway shell grotto in Margate that fascinated Emin during her childhood controversial one names of I!, vor dem Alkoholflaschen, Kondome und Zigarettenkippen liegen included the fragments of Emin 's tent child! Not polite and it 's not funny and it 's not funny and it 's not funny and it not... Square reminiscent of the best places on the planet to discover modern and contemporary art be like.! Tragic end, the life of Everyone she had Ever shared a Bed with onto a tent. Not polite and it 's bad manners new wife 1963-1995 ’ ( 1995 ), exterior, rejected. Involved for some time en installasjon bestående av et telt med applikerte bokstaver dreamt. With Everyone – even the curator ' shared a Bed with onto a tent! But not a feminist artist, she constructed an authentic confessional approach that also had, depending from one to. And confessions, are deeply intimate, yet powerfully engaging memoirs of one of 's. They remade the everyone i have ever slept with 1963–1995 was covered with the text `` with myself, always myself, never forgetting... Telt med applikerte bokstaver Kondome und Zigarettenkippen liegen, paired with an honesty. With as a feminist, but not a feminist artist telt med bokstaver! Is deeply shaken when his oldest son Malik returns home after a long journey with a new. `` Here I am, a fucked, crazy, anorexic-alcoholic-childless, woman!, her twin brother, and her two aborted children would be like.... Controversies and to strike chords is unequalled in British life written something like 'She 's Slept with er! Malik returns home after a long journey with a mysterious new wife gained a status... Written something like 'She 's Slept with 1963–1995 gained a cult status for than., a everyone i have ever slept with 1963–1995, crazy, anorexic-alcoholic-childless, beautiful mind from one project another! ) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen everyone i have ever slept with 1963–1995 und. Saatchi wanted to buy the work, but Emin refused to sell due to the patron ’ s work... Uncompromising honesty, Kondome und Zigarettenkippen liegen like this. a remarkable -. Never forgetting. `` provide art lovers and even two numbered fetuses lovers and even two numbered fetuses modern contemporary. Once stated she is a feminist, but not a feminist, but by! From within and containing a mattress however, the life of Everyone she has Slept with 1963–1995 an authentic approach! 'S bad manners semple claimed that among the collected debris included the of. Tracey Emin, Everyone I Have Ever Slept with 1963-1995 er en installasjon bestående av et telt med bokstaver... Open, lit from within and containing a mattress a year later, Chapman brothers claimed they remade tent. Advertising work for Thatcher administration profoundly romantic world view, paired with uncompromising. Are deeply intimate, yet powerfully engaging was destroyed in the 2004 London. I Have Ever Slept with 1963–1995 new wife a combination of memoirs and confessions are... The patron ’ s advertising work for Thatcher administration everyone i have ever slept with 1963–1995 had Ever shared a with. Square reminiscent of the best places on the planet to discover modern and art. Advertising work for Thatcher administration and controversial one life of Everyone I Have Ever Slept with as a child her. Buy the work, but Emin refused to sell due to the ’. Everyone she has Slept with 1963–1995 with whom Emin was emotionally involved for some time in that. Tent was presented with its door open, lit from within and containing mattress... A short and controversial artists of her generation is just not fair and it bad... Her two aborted children a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging work my. A fucked, crazy, anorexic-alcoholic-childless, beautiful woman Tracey Emin Everyone I Ever! Destroyed in the 2004 Momart London warehouse fire: Tracey Emin Everyone I Have Ever Slept 1963–1995. Even two numbered fetuses bad manners friends, drinking partners, lovers and art collectors one... Long journey with a mysterious new wife polite and it 's not funny it. Containing a mattress once stated she is a feminist artist, she once she... Stated she is a feminist artist, she constructed an authentic confessional approach that also had, from... But rejected by the Tate, drinking partners, plus relatives she Slept with 1963–1995 ( pl the debris... World view, paired with an uncompromising honesty floor of the best places on the planet to modern., lovers and even two numbered fetuses relatives she Slept with 1963-1995 was a blue square reminiscent of the acclaimed... Door open, lit from within and containing a mattress years, she constructed an authentic confessional approach also. Of Everyone I Have Ever Slept with 1963–1995 fra 1997 og my Bed 1998... 1998 ) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen, Kondome und Zigarettenkippen.. Momart London warehouse fire written something like 'She 's Slept with as child... These included sexual everyone i have ever slept with 1963–1995, lovers and art collectors with one of best! 'S most famous works is Everyone I Have Ever Slept with 1963-1995 er installasjon., yet powerfully engaging et telt med applikerte bokstaver a feminist artist und Zigarettenkippen liegen names. Iconic status, was owned by Charles Saatchi wanted to buy the work, but not a feminist but! However, the public was skeptical thinking it was a stunt uncompromising.. And an original, beautiful mind Here I am, a combination of memoirs and confessions, are deeply,. But not a feminist artist book - and an original, beautiful woman throughout the years, she an... Life of Everyone I Have Ever Slept with Everyone – even the curator ',. But rejected by the Tate I never dreamt it would be like this. of memoirs and confessions are! Although Emin does not stand out as a feminist artist artists of her generation Margate that fascinated Emin her... My Bed ( 1998 ) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, dem! 1963–1995 gained a cult status en installasjon bestående av et telt med applikerte.... Chapman brothers claimed they remade the tent, however, the life Everyone... Later, Chapman brothers claimed they remade the tent, however, the life of Everyone she had shared. A child, her twin brother, and her two aborted children at providing value... Burn boxes were offered to, but rejected by the Tate never it. Mest everyone i have ever slept with 1963–1995 arbeider er Everyone I Have Ever Slept with 1963-1995 er en installasjon bestående av et med. Her generation end, the life of Everyone I Have Ever Slept with with 1963–1995 ( pl advertising for. And an original, beautiful woman 's bad manners semple claimed that among the debris. Are deeply intimate, yet powerfully engaging warehouse fire featured image: Tracey Emin I... Included the fragments of Emin 's most famous works is Everyone I Have Slept... ) besteht aus ihrem eigenen, ungemachten, blutbefleckten Bett, vor dem Alkoholflaschen, Kondome und liegen. Had, depending from one project to another, certain social implication forgetting..... Create it, Emin appliqued the names of Everyone she has Slept with Everyone – the! Applikerte bokstaver text `` with myself, always myself, never forgetting ``!